The design of this project has an unique approach to use the Metal Mesh as the solution for practical and aesthetics purpose. The translucent Metal Mesh creates a layer of curtain which can blur the boundary between indoor and outdoor space- the gray space. The depth of space created by the translucent curtain creates a rich level of spatial quality. The polished stainless steel Metal Mesh varies under different weather conditions and different period of a day. The reflection and translucency of the Mesh with elegant landscape creates a calm Chinese style ZEN space.
How to design a high quality urban space, redefine the image of a “landmark” building, while maintaining cultural tradition of Xixi wetland spirits, is the major challenge of this project. Four L-shaped slab buildings with large openings are used to encircling the site due to the landscape cross. The internal building volumes are modeled on the traditional wetland settlement pattern. It ensures the maximum utilization of landscape resources. Reasonable structures present a non-conventional visual impression, making the buildings a group of futuristic city sculptures.
This is a poetic sanctuary that shows people both the brilliant Islamic culture and our vision for a better life. This is also a homelike cultural center that provides a spiritual home for local residents especially Muslims. Based on traditional mosque, the building subtly interprets the spatial structure of mosque with new materials and technologies.The dome sees the translation and abstraction of Islamic symbols rather than simple mimicking. We constitute the dome with petaloid shells and creatively transform the interior space into a semi-exterior roof garden flooded with sunshine, air.
The Malangen retreat explores in particular the values of the different activities in everyday life through the interaction between spaces and functions. Each function and activity have been organised in separate volumes which are connected by in-between spaces. These in-between spaces have a primary function of separating activities and spaces, but also symbolises a journey between each activity. The main goal of the design is to bring to light values that are often forgotten in a hectic life and also highlight the connection and respect to the nature around us.
This is a fishing cabin with a mountain view, on the bank of Heaven River (‘Tenkawa’ in Japanese). Made of reinforced concrete, the shape is a simple tube, six meters long. The roadside end of the tube is counterweighted and anchored deep in the ground, so that it extends horizontally from the bank and hangs out over the water. The design is simple, the interior is spacious, and the riverside deck is open to the sky, the mountains and the river. Built below the road level, only the roof of the cabin is visible, from the roadside, so the construction does not block the view.
This project is a human-oriented preservation and renovation practice of a small village, aiming to meet the basic needs of modern cultural life for the residents. The first phase of the Jiangshan Fishing Village Renewal Plan consists of two parts, namely the renovation of the vacant old homes and the construction of rural public facilities. The design retains the external appearance of the rare old houses with the maximum degree in this village, hoping to emphasize the importance of regional characteristics and cultural heritage.
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